This period over the years for Lewis likely ranks as the most significant. Aslan was introduced and Lewis began to be recognized as a spokesperson for the Christian faith from the book that came out during this time in 1940 (more about that later). The Lion, the Witch and the Wardrobe (LWW), released on the 16th in 1950, while the longest title in The Chronicles of Narnia series, was also how people used to initially meet the beloved characters from Lewis’s fairy tale land. While much can be said about the original first book, I want to highlight a few aspects from a special podcast mini-series I created about the Narnia books. All the shows can be found at NarniaCast.com and the first show had Dr. Bruce Edwards discussing LWW. In a segment called “the story behind the story,” he noted that Lewis had been carrying around an idea since about the time he was 16 years old that became a key part of LWW. When he finally finished the first story it opened a new chapter in his life where he focused more on narrative and less on being known for defending the Christian faith.
On the 18th in 1940 Lewis debut in his role as “Apostle to the Skeptics.” The Problem of Pain showed how well he could take complex subjects and make them understandable to the average person. Focusing just on solving “the intellectual problem raised by suffering” he admitted he wasn’t qualified to teach “fortitude and patience” in the face of pain. While he covers just about every possible aspect that he limited himself to in a relatively short book, most readers find themselves understanding Lewis’s explanations better upon repeated readings.
Interestingly, not many shorter pieces were published during this period. Lewis wrote a letter on the 16th in 1942 to respond to questions raised by a reply someone named Mr. May had raised from reading “Miracles,” an article by Lewis in The Guardian from May 2nd. Both pieces by Lewis are found in God in the Dock. Then on the 17th in 1941 the twenty-fifth letter from Screwtape was published in the same publication. It could have been titled “Mere Christianity” because this expression finds its way into this piece. However, when first printed it did contain a title, one of the few that did. This one was called “The Enemy Loves Platitudes” and features advice to Wormwood about how to use the “horror of the Same Old Thing” as a means to unbalance “the love of change” and “the love of permanence” we humans have. This letter is, of course, found in The Screwtape Letters, which last year saw the release of an Annotated Edition.